Kelly's Heroes (1970)
Facts
| Directed by | Brian G. Hutton |
| Cast | Clint Eastwood, Telly Savalas, Don Rickles, Carroll O'Connor, Donald Sutherland, Michael Clark, David Hurst, Len Lesser, Perry Lopez, Gavin MacLeod, Stuart Margolin, Jeff Morris and Harry Dean Stanton |
| Theatrical Release | June 23, 1970 |
| DVD Release | August 1, 2000 |
| Running Time | 144 minutes |
| MPAA Rating | PG (Parental Guidance Suggested) |
| UPC Code | 012569515628 |
| Buy this item | $8.99 at Amazon.com As of Dec 4 11:50 EST (details) 1 DVD, Warner Brothers, Usually ships in 24 hours, Closed-captioned, Color, Dolby, DVD-Video, Letterboxed, Widescreen, NTSC Languages: English (Original Language - Dolby Digital 5.1), English (Subtitled), French (Subtitled) Or 61 new from $4.52, 33 used from $3.94, 1 collectible from $19.99 |
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User Reviews
Average user review:| One of my favs! |
| Vietnam Redux-But Without Bitterness |
Much of the film is an uneasy mixture of a standard shoot-em-up war film of tanks, screaming strafing aircraft, and bloody ambushes with a comedic subtext of mercenary soldiers who view the war as a source of profit. Casualties on both sides are vastly different. Germans get blown away by the hundreds yet only two GIs die. This differential in mortality is needed to keep the film on track as a sometimes funny anti-war film that undoubtedly seemed hilarious in a Vietnam obsessed America of 1970 and only somewhat less humorous in an equally Iraq obsessed America of 2008. One does not question the many logical gaps involved in Eastwood's leadership of his mercenaries without his superiors finding out. Indeed, with the buffoonish Carrol O'Connor as the commanding general, one simply accepts that foolishness rather than professionalism is the only requisite for command. Donald Southerland is truly amusing in the same way that he later showed in MASH, but my thinking is that the real impact of KELLY'S HEROES lies not in amusing an audience with the antics of money grubbing soldiers but rather in convincing an already anti-war America that all wars in all times are no different from the one that Eastwood, Savalas, and their cohorts found so immensely profitable. May 24, 2008
| Classic movie |
| Not the great movie everyone here thinks... |
The biggest problem with this movie is that Clint isn't a 'group guy'-he's a loner and that's one of the key ingredients that makes so many of his other movies work. Though his character is seen as an 'off by himself kind of guy', he's still part of the unit. For him to be able to drive jeeps around and do his own thing (on apparently his own schedule) doesn't jibe. When you're in the military, your a grunt, stuck with the rest of the grunts. There are no allowances made just because you'd rather be alone. You're thrown in with the rest, and you're your stuck with them. Even though Kelly outranks a lot of the other guys, he is supposed to be part of that unit. For him to have carte blanche to roam around as he does isn't believable. Had the storyline had Kelly as someone (not necessarily a soldier) who was a lone entity, with no ties to any one group or side, it would have played out better imo. With Clint forced to be a part of the group, he looks constipated trying to squeeze his words out.
Another thing that detracts from the film is all the bickering. Some of it is amusing at times (gotta love Sutherland's Oddball), but the majority of it presents the characters as men who only know how to communicate through yelling, complaining, and berating each other. I realize this IS a war movie (as in, none of the characters WANT to be there), but realize it is a MOVIE, and as such, a balance needs to be struck where the men's frustration with being stuck in the military (and overseas at war) should be mixed with other aspects of the human personality. The humor here is all biting sarcasm-not surprising for a war movie, but a one trick pony nonetheless.
'Kelly's Heroes' is one of a long line of movies (and TV shows) that takes place during one war, but are aimed at commenting on another (the Vietnam War). The fact that this is a caper movie inside a war movie is a not so subtle comment that war is for profit-nothing more. I agree with this sentiment. Wars aren't started (and prolonged esp) by men with big hearts out to save lives and extinguish tyrants. They are to protect assets and/or forcibly take them. The Iraq War is a very obvious example. We have a long history of business with Iraq-including when Suddam was in power. They were once an ally. Time has a way of burying the truth (actually, men do...and do).
Anyway, unlike the others here, I don't think this movie has aged that well. The war themes are indeed timeless, and the action scenes are well done, though the shooting of soldiers isn't that realistic imo. But, the often one dimensional characters (particularly any of the non-Americans) make this a (mostly) mindless action movie without any real passion or guts (real emotion). The movie doesn't take any chances, and suffers for it.
I own it because it's a time capsule of Clint in his 30s (I'm still a Clint fan despite my feelings about this movie and I don't mind owning 2 star movies). Clint's acting (finding his on screen power/personality) didn't move to the next level until he did 'Dirty Harry'. He was forever changed after that-and he knew it. He showed more depth in 'The Beguiled', but found his power (non-western) in Harry Callahan.
March 31, 2008
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