Carlito's Way (1993)
Facts
| Directed by | Brian De Palma |
| Cast | Al Pacino, Sean Penn, Penelope Ann Miller, John Leguizamo, Ingrid Rogers, Rick Aviles, Richard Foronjy, Paul Mazursky, Frank Minucci, Viggo Mortensen, John Ortiz, Adrian Pasdar, Jorge Porcel, James Rebhorn and Joseph Siravo |
| Theatrical Release | November 10, 1993 |
| DVD Release | May 27, 1998 |
| Running Time | 145 minutes |
| MPAA Rating | R (Restricted) |
| UPC Code | 025192022227 |
| Buy this item ... | 5 new from $8.40, 46 used from $2.64 |
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User Reviews
Average user review:| Brian and Al in top form |
I liked Carlito's way because it showed Pacino's incredible character range in portraying a Nuyorican in the 70s era. Not only was he believable, but he did it with a beautiful flare. It had a perfect musical score and the cinematography was excellent. I couldn't ask for much more except I would've liked for the film to cover the book in it's entirety. Instead of just basing the film on the second half of the book, "After hours" they should have did "Carlito's way" and "After hours." That's my only complaint. So, in closing the movie wasn't perfect, but it definitely shows Pacino's talent as an actor. October 3, 2008
| Great job from so many aspects |
and perhaps is Brian de Palma's answer to Francis Ford Coppola's work,
ONE FROM THE HEART, 10 years after the fact. Many aspects appeal to the crowd,
ranging from the powerful story, the nostalgia, the sensual and sentimental spects
to action and ruthless underworld scenes.
There are many parallels, one being the excellent wide-screen filming quality and the
script itself, wherein a gangster reviews his past life in the ghetto, dealing narcotics and surviving
the violence of the streets, and builds a continuity to that as he's released from his
penal term, and juggles various tasks, such as staying out of the grasp of law enforcement,
staying alive in face of deadly rivals all intertwined with various lush and spectacular settings,
such as night clubs showcasing charismatic girls (strippers, waitresses), in between gambling,
and memorable other scenes (sunsets, etc.)
The film is boosted by Penelope Ann Miller, whose presence alone in the picture works wonders,
as she interacts with Carlito ( Al Pacino) and plays a sensual, adventurous yet vulnerable young
woman who is skilled in creating the illusion of love on st his hard edged, natural
personality from his gangster days, with a humanity and personal longing for romance.
The music ( Latino rhythms and 70's dance classics) , coupled with the staff and the way the club
scene is laid out, draws the audience into the action from the realism of all those aspects, if not
for the importance given to the cash flows generated by the actual night club, managed by Carlito.
Sean Penn is perhaps at his best as an actor, playing a substance addicted attorney
with a high risk clientele operating in the underworld (weapons, rubouts, substance trafficking,
gangsterism, gambling, money laundering, etc, who lacks scruples in the way he conducts his
legal assistance operations, at the same time being successful in getting an acquittal for his clients.
The strength of the script is its attention to detail, such as a well rooted street knowledge, and vocabulary, bringing into focus old territory rivalries of Latinos, Italian-Americans, Porto Ricans, Black Harlem, the stigma of stool pigeons, the double cross, the drug burn, and more. Clearly, in that world,
lives are a second thought when dealt with by simpletons on the street. Another essential ingredient, the confidential informant carrying a wire hired to get information from Pacino for FBI and DA, through privileged access as a childhood friend, is very real.
Effort is made to show the challenge of one balancing one's own cultural identity, origins and job with convincing a girl to build a life together who has a different lifestyle and track record.
The story articulates quite well the emotional impact of a con being released from the Big HOuse
after a 5 year term, comparing street life before and after the term and the counseling received as a con.
The repercussions of embezzlement ( the guns and lime pit waiting and ready, and contract) is not ambiguous as the victims tend to want to do justice by their own hands.
At the end of the day, Carlito (despite his upbringing), still is in disbelief on how ready some people are to double-cross their intimate friends, for profit, despite all perceived bonds of love, loyalty, friendship and trust ( rare commodities indeed.) "Saving your own skin" is the lesson, and he sees that the more things change, the most they stay the same.
The movie has a great action and suspense finale, with a perhaps too predictable guy- tries- to- get- the girl outcome and live happily-ever-after.
September 4, 2008
| Once you are in, you don't get out |
Acting - 5
Action/Suspense - 5
Characters - 5
Story - 5
Overall - 5
September 3, 2008
| DePalma & Pacino go Cubano again!! |
| Another classic |
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