Boiler Room (2000)
Facts
| Directed by | Ben Younger |
| Cast | Giovanni Ribisi, Vin Diesel, Nia Long, Nicky Katt, Scott Caan, Ben Affleck, Jamie Kennedy, Donna Mitchell, Taylor Nichols, Ron Rifkin and Tom Everett Scott |
| Theatrical Release | February 18, 2000 |
| DVD Release | July 11, 2000 |
| Running Time | 118 minutes |
| MPAA Rating | R (Restricted) |
| UPC Code | 794043505522 |
| Buy this item | $5.99 at Amazon.com As of Nov 18 2:53 EST (details) 1 DVD, RIBISI,GIOVANNI, Usually ships in 24 hours, Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC Languages: English (Original Language - Dolby Digital 2.0 Surround), English (Subtitled) Or 69 new from $3.33, 139 used from $0.98, 2 collectible from $12.98 |
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User Reviews
Average user review:| Wall Street Lite - 3 1/2 Stars |
| If you can't stand the heat, get out of the boiler room... |
The film revolves around college dropout Seth Davis who is constantly trying to get out from under his fathers disapproval. Dropping out of college and running and illegal casino out of his apartment isn't the right way to go about earning his affections, but Seth doesn't seem to understand that. When a chance meeting with stock broker Greg Weinstein gets Seth's appetite wet for the big bucks to be had with this legit line of work he decides that this may be just what he needs to get his father to forgive him, and be proud of him. It appears that Seth has a knack for this business. Before long he's become a selling machine and is on his way to making his first million. But then he notices something that's just not right, and after doing a little digging he realizes that this legit gig may not be all that legit after all.
Giovanni Ribisi is one of those actors I really wish would break out in a huge way. I've always really liked him, and I feel that given the right role he could land in awards territory. His performance here is strong; in fact it would be golden if it weren't muddled by some poorly scripted areas. Scenes where he's `selling' are flawless; yet when he's interacting with his father it becomes a little sappy and overly clichéd. His big `crying' scene comes off forced and it just takes away from the film in my opinion. It's in stark contrast to the `relationship' scene at the diner, which is in my opinion one of the best scenes in the film; go figure.
Vin Diesel soars here. His performance as Chris Varick, the broker who takes Seth under his wing, is remarkably flawless. Nia Long is beautiful and graceful yet sorely underused here. I with they would have given her something more to do. Ron Rifkin is believable as Seth's domineering father even if I never could begin to `like' his character.
And I'll just say it now; I thought Ben Affleck was the worst thing about this movie.
What makes `Boiler Room' so poignant is that is exposes the way that greed can ravage anyone. It's not the type of film you expect to be deep or meaningful but when the credits start to roll you realize that this movie represents a growing problem in Corporate-America. The careless and apathetic attitude of most all the characters is sadly not exaggerated. As much as you want to just slap these characters upside the head for their selfish and horrendous actions you can't help but see a little bit of them inside yourself. What we also get to see is that no one is as innocent as they appear to be. Even if one is morally just it doesn't make them ethically just. Look at the comparisons between Seth and his father. Seth may not do everything up to the high moral code his father follows but he appears to have a genuine care for other people whereas his father, self-righteous and on his high horse uses that moral ruler as an iron fist that crushes his relationship ("what relationship?") with his son.
In the end I enjoyed `Boiler Room'. It's not brilliant and it is predictable, but it works for the most part. It could have been tweaked a bit, but what movie couldn't use a little tweaking? Watch it to see Diesel out perform his co-stars and prove he's more than one big muscle and watch it to see the unwavering potential hidden behind Giovanni Ribisi's stutter. It's not as powerful as `Wall Street' but it doesn't need to be. March 31, 2008
| A updated version of Wall Street |
| A Glimpse Into the "Innocent" Moral Vacuum of Our Era |
Gambling. Stealing. Lying. Fornicating. Cursing. Arrogance. These are all treated as the most normal qualities in the world. The main character and his girlfriend even wonder why he sometimes has twinges of conscience. After all, aren't the guys in the film just grabbing for the brass ring, the American dream. Life's supposed to be fun, isn't it? There always have to be winners and losers, don't there? So why not be a winner? It's about money, initiative, smarts, knowing how to close a deal. It is the utter normalcy of lifestyles devoid of virtue that, to me, make this a classic of American film making. To me, it's the essence of American materialistic existence...i.e., "go for the gold." The guys in the firm are on a path to jail and, ultimately, to hell, but they don't have a clue.
Even the main character is fixed on the memory that his father unaccountably slapped his face when he was ten and fell off his bike and broke his leg. His deep, endless self pity gives him the sense that he is at bottom a good human being. What do I mean? His feelings were deeply hurt when his father slapped him, so he feels he deserves sympathy from others. He sees himself as a sympathetic figure, not someone who deserves to be judged by the F.B.I., God, or anyone else.
Finally, the protagonist is granted full immunity by the F.B.I. for agreeing to answer all their questions about the misdeeds of his shady brokerage firm. Like a lot of people he sees he "did wrong" after he was caught, but it is not clear as the film ends if he has experienced true remorse and learned his lesson.
As the credits roll at the end, we hear his voice saying, "I need to find a job." Thus, he's still thinking about money. Hopefully, he'll be more "legit," but ethics, God, and righteous living remain categories far from his grasp. In short, he's normal, all too normal.
I think this film should be required viewing in every high school and college in America. January 27, 2008
| Boiler Room |
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